The Untimely Meditations Thoughts Out of Season Parts I and II Friedrich Nietzsche Anthony Ludovici Adrian Collins 9781534693241 Books
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This superb edition of The Untimely Meditations by Friedrich Nietzsche contains the compelling translations of Anthony Ludovici and Adrian Collins.
These early writings by Nietzsche displays much of the promise which was to unfurl later in the philosopher's life. These four essays, all different in subject and tone yet tangentially related, are also known by the title Thoughts Out of Season, and were originally published in two parts between 1873 and 1876.
In each essay, Nietzsche examines aspects of modern culture and art. In the first, third and final essays he singles out a single personage as representative or influential upon of the present day, subjecting each to a philosophic critique. The first two essays are openly polemical and critical, whilst the final two offer a non-hostile and complimenting tone, with parts praising their subjects.
The first essay, David Strauss the Confessor and the Writer, sees Nietzsche polemically and scathingly criticise the theologian and author David Strauss, in considering Strauss's 1871 work The Old and the New Faith A Confession as symptomatic of contemporary German thought. He then goes further, attacking Strauss as appropriating history in service of pseudo-cultural ends.
The second essay, On the Use and Abuse of History for Life, has Nietzsche present a new and novel way of reading history, and attempts to discredit the idea that man is merely a product of the history which has so far happened. The essay exemplifies the growing attitude of elitism which would become more obvious in Nietzsche's later works.
In the third essay, Schopenhauer as Educator, Nietzsche praises and lauds the philosopher Schopenhauer and suggests that a revival in thought would likely occur thanks to this philosopher and his fine ideas. As well as what he wrote, Nietzsche praises the attitude which Schopenhauer had to life - jovial, forthright and honest, if pessimistic.
In the final essay, Richard Wagner in Bayreuth, Nietzsche examines the life and works of his contemporary - the composer Richard Wagner. At the time it was published, Nietzsche praising attitude to Wagner was changing - yet a friend, Peter Gast, saw value in its words and persuaded him to redraft and publish it. However some time after its publication, Nietzsche would split from Wagner and the two would conclude their friendship.
The Untimely Meditations Thoughts Out of Season Parts I and II Friedrich Nietzsche Anthony Ludovici Adrian Collins 9781534693241 Books
Unless you're a Nietzsche fanatic, this is one of his early works that's better read about than read.I'd say the same about THE BIRTH OF TRAGEDY, because Nietzsche's then worship of Wagner distorts that book to the degree that it's valuable more as a biographical document than a philosophical work.
Nietzsche begins with HUMAN, ALL TOO HUMAN and what follows, and of course some books are more important than others. THE WILL TO POWER can be skipped without much regret, unless you want to buy the various volumes of the Nachlass in English translation to replace it. (Necessary, of course, if you want to read Nietzsche a la Heidegger.)
Nietzsche's best critic is Michael Tanner, who in a very brief book manages offer more pith about him than anyone else, particularly about the gigantic rationalization of Amor Fati.
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The Untimely Meditations Thoughts Out of Season Parts I and II Friedrich Nietzsche Anthony Ludovici Adrian Collins 9781534693241 Books Reviews
Nietzsche and Wagner were adept at picking on their contemporaries in a way that is so thoroughly unpopular now that I would not be surprised if this book is never again printed with the Introduction by J.P. Stern which was in the 1983 version reprinted in 1989, and which I purchased in 1990. It is clear from that introduction that David Strauss had read the first portion of this book and furnished his friend Rapp with a clear question about Nietzsche's character in a letter of 19 December 1873. "First they draw and quarter you, then they hang you. The only thing I find interesting about the fellow is the psychological point -- how can one get into such a rage with a person whose path one has never crossed, in brief, the real motive of this passionate hatred." (p. xiv) Those who are familiar with legal procedures, or how the media treats anyone who is suddenly perceived to be a fink, might enjoy this book as something that might be considered an unforgivable outburst today. Who could wish for such a triumph now, over intellectual paths which crossed twice? When Nietzsche was young, he perceived a scholar who displayed the real Straussian genius. Later, Nietzsche could only find a writer who, "if he is not to slip back into the Hegelian mud, is condemned to live out his life on the barren and perilous quicksands of newspaper style." (p. 54) I could have rated this book a bit higher, for being much more truthful than is expected of scholarly work today, but the kind of scholars who read these books might have no idea what I meant, or they know that they are better off not raising questions about those political issues which are most questionable. Nietzsche's real fearlessness began here.
Friedrich Wilhelm Nietzsche (1844-1900) was a German philosopher, cultural critic, and poet. This volume actually contains four of Nietzsche’s smaller books on David Strauss (1873); “On the Uses and Disadvantages of History for Life” (1874); on Schopenhauer (1874); and on Richard Wagner (1876).
He suggests, “there is a degree of sleeplessness, of rumination, of the historical sense, which is harmful and ultimately fatal to the living thing, whether this living thing be a man or a people or a culture… the unhistorical and the historical are necessary in equal measure for the health of an individual, or a people and of a culture.” (Pg. 62-63)
He states, “If you are to venture to interpret the past you can do so only out of the fullest exertion of the vigor of the present… history is written by the experienced… He who has not experienced greater and more exalted things than others will not know how to interpret the great and exalted things of the past…” (Pg. 94)
He states, “The only critique of a philosophy that is possible … trying to see whether one can live in accordance with it, has never been taught at universities all that has ever been taught is a critique of words by means of other words… what a mockery of education in philosophy!” (Pg. 187)
Not one of Nietzsche’s “major works,” this book will nevertheless be of keen interest to those interested in his philosophy.
The timeliness of these essays belies the political radicalism they express. Taken with his later works, especially
Beyond Good and Evil and the Genealogy of Morals, one catches the man with his ideological 'pants-down'.
--These essays contain in clearest definition, his project of revaluation, and there is no better 'clarification' of
what George Brandes named "aristocratic radicalism" than as it appears here, standing against the currents
of the timely and 'all-too-human' with a vision of what is to come in all its danger, banality and glory. This is
the aurora before the great battle for Noontide, a Ragnarok for mediocrity and everything socialist.
fantastic book
Unless you're a Nietzsche fanatic, this is one of his early works that's better read about than read.
I'd say the same about THE BIRTH OF TRAGEDY, because Nietzsche's then worship of Wagner distorts that book to the degree that it's valuable more as a biographical document than a philosophical work.
Nietzsche begins with HUMAN, ALL TOO HUMAN and what follows, and of course some books are more important than others. THE WILL TO POWER can be skipped without much regret, unless you want to buy the various volumes of the Nachlass in English translation to replace it. (Necessary, of course, if you want to read Nietzsche a la Heidegger.)
Nietzsche's best critic is Michael Tanner, who in a very brief book manages offer more pith about him than anyone else, particularly about the gigantic rationalization of Amor Fati.
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